Wednesday, 15 January 2014

Main Task : Shot Distances

For our opening sequence, we will be using more close-ups than any other shot types/distance. Especially as our genre/theme is thriller, thriller consists of a lot more close-ups to create enigma and suspense for the audience so they are ‘on-the-edge’ even from the start.


1 main shot is close ups which is a shot taken from a close distance so that the object appears relatively large and fills the entire frame. ‘Whatever’ Productions have decided to shoot (picture 1,2 and 3) particular objects in the shelter such as the board in the middle, the walls that have graffiti on them, the dirty mud etc…  Also, we have decided to take a close-up shot of the side of a tree to close-up on the detail of it.


The second main shot is a wide-mid long shot which is a shot taken from a greater distance so that the object appears relatively small in the frame. A long shot can convey setting or context. In the ‘Visitor’ (the opening sequence title), these shots are showing the area (in a sense) and introducing this mysterious female.


Tuesday, 14 January 2014

Analysis On Film Genre Director Director #4: William Friedkin and Tim Burton

William Friedkin

William Friedkin.jpg

NAME: William Friedkin
OCCUPATION: Director, Producer, Screenwriter
BIRTH DATE: August 29, 1935 
PLACE OF BIRTH: Chicago, Illinois, US

Early Life
Friedkin attended public schools in Chicago. He enrolled at Senn High School, where he played basketball well enough to consider turning professional. Friedkin was not a serious student and barely received grades good enough to graduate, which he did at the age of 16.
Friedkin began going to movies as a teenager, and has cited Citizen Kane as one of his key influences. Several sources claim that Friedkin saw this motion picture as a teenager, but Friedkin himself says that he did not see the film until 1960, when he was 25 years old.

Career Highlight
He began working in the mail room at WGN-TV immediately after high school. Within two years (at the age of 18), he started his directorial career doing live television shows and documentaries.
In 1965 Friedkin moved to Hollywood and two years later released his first feature film, Good Times starring Sonny and Cher. In 1967 he directed a TV pilot for the ABC network called "The Pickle Brothers".
Sorcerer was shortly followed by the crime-comedy The Brink's Job (1978), based on the real-life Great Brink's Robbery in Boston, Massachusetts, which was also unsuccessful at the box-office. In 1980, he directed the highly controversial gay-themed crime thriller Cruising, starring Al Pacino, which was protested against even during its making and remains the subject of heated debate.
Later, Friedkin directed an episode of the TV series CSI: Crime Scene Investigation titled "Cockroaches".
In June 2010, author William Peter Blatty, promoting his latest novel, revealed that Friedkin had committed to direct the feature film adaptation of his thriller, Dimiter.
In 2011 Friedkin directed Killer Joe, a black comedy written by Tracy Letts, and starring Matthew McConaughey, Emile Hirsch, Juno Temple, Gina Gershon, and Thomas Haden Church. Killer Joe premiered at the 68th Venice International Film Festival, prior to its North American debut at the 2011 Toronto International Film Festival. It opened in U.S. theaters in July 2012, to favorable reviews from critics.

Personal Life
William Friedkin has been married four times and now with Sherry Lansing, married on July 6, 1991. He has 2 children from 2 of his other marriages.
I can only suggest that he has a passion for movie because of this next article



The fact that he can recall these films that he aspired to talk about in a interview shows the slight aspirating and influence Friedkin has to offer the world.






Tim Burton

Tim Burton by Gage Skidmore.jpg

NAME: Timothy Walter Burton
OCCUPATION: Illustrator, Painter, Director, Producer, Screenwriter
BIRTH DATE: August 25, 1958 
EDUCATION: California Institute of Arts
PLACE OF BIRTH: Burbank, California 

Early Life
 As a child, Burton was engrossed with the classic horror films of Roger Corman—many of which featured quintessential screen villain Vincent Price. Burton also developed a penchant for drawing and enrolled at the California Institute of Arts, where he majored in animation. In 1980, upon his graduation, he began working as an apprentice animator for Walt Disney Studios. Within a year, Burton grew tired with his work at Disney and decided to strike out on his own.

Career Highlight
In 1994, Burton cast Johnny Depp as the title character in Ed Wood—a black-and-white portrait of a middling filmmaker and his all-consuming passion to succeed. In 2001, Burton took on an ambitious remake of the 1968 cult classic Planet of the Apes starring Mark Wahlberg and Helena Bonham Carter. In 2005, he released a remake of Charlie and the Chocolate Factory starring Johnny Depp and a stop-motion animated feature called The Corpse Bride, which received an Oscar nod for Best Animated Feature Film.
 In 2010, they reunited again in Tim Burton's adaptation of Lewis Carrol's Alice In Wonderland, wherein Depp played the role of The Mad Hatter and Carter, the Red Queen. In 2012, Burton worked with Depp on a film adaptation of the cult television series Dark Shadows. Writer Seth Grahame-Smith penned the script for this humorous look at a vampire living among his descendants. Burton also mined his own childhood for the animated film Frankenweenie that same year.

Personal Life
Burton was married to Lena Gieseke, a German-born artist, for two years, whom he left to live with model and actress Lisa Marie; she acted in the films he made during their relationship from 1992 to 2001, most notably in Ed Wood and Mars Attacks!. After leaving her, Burton developed a romantic relationship with English actress Helena Bonham Carter.
Burton and Bonham Carter have two children: a son, Billy Raymond, named after his and Bonham Carter's fathers, born in 2003 and a daughter, Nell, born in 2007. Close friend Johnny Depp is a godfather of both of Burton's children.











Burton tells me in this interview that he put effort into his work by trying to broadcast his affections and memories of what he thought of people into a film or a character or even a short space of music/time. 






Analysis On Film Genre Director #3 : Alfred Hitchcock

Hitchcock, Alfred 02.jpg

NAME: Sir Alfred Joseph Hitchcock
NICKNAME: The Master of Suspense
OCCUPATION: Director, Producer, Television Personality, Screenwriter
BIRTH DATE: August 13, 1899
DEATH DATE: April 29, 1980
EDUCATION: St. Ignatius College, University of London
PLACE OF BIRTH: London, United Kingdom
PLACE OF DEATH: Bel Air, California


Early Life
 He described his childhood as lonely and sheltered, partly due to his obesity. He once said that he was sent by his father to the local police station with a note asking the officer to lock him away for 10 minutes as punishment for behaving badly. He also remarked that his mother would force him to stand at the foot of her bed for several hours as punishment (a scene alluded to in his film Psycho). This idea of being harshly treated or wrongfully accused would later be reflected in Hitchcock's films.

Career Highlight
 It was while working at Henley's that he began to write, submitting short articles for the in-house publication. From his very first piece, he employed themes of false accusations, conflicted emotions and twist endings with impressive skill. In 1920, Hitchcock entered the film industry with a full-time position at the Famous Players-Lasky Company designing title cards for silent films. Within a few years, he was working as an assistant director. His works became renowned for their depictions of violence, although many of his plots merely function as decoys meant to serve as a tool for understanding complex psychological characters.

Personal Life
He was a Roman Catholic and he was married to Alma Reville in 1926 until his death. He had one child within his marriage.




Monday, 13 January 2014

Main Task : Animatic Visuals

An Animatic is a a preliminary version of a film, produced by shooting successive sections of a storyboard and adding a soundtrack.

Animatics are animated storyboards. They are used for various purposes depending on the medium for which they are being produced. Animatics are used every day in the advertising industry to test commercials. They're used to preview scenes of live-action films before they are shot. You'll also find animatics in the pre-production stages of animation and in the video game industry.

After the storyboard was done, we created this animatic video from the storyboard so we could see how it would look like before intense editing. It looked near to what we had imagined it to be. I was very happy about the storyboard animative video.










This is the animatic video from the recce that we took and this made it look more realistic. 



Sunday, 12 January 2014

Main Task : Storyboard

A storyboard is a sequence of drawings, typically with some directions and dialogue, representing the shots planned for a film or television production.

A storyboard helps you:

  • Define the parameters of a story within available resources and time
  • Organize and focus a story
  • Figure out what medium to use for each part of the story
This is our storyboard:














Friday, 10 January 2014

Main Task : Screenplay

EXT • FOREST • BRAY • DAY (PIC 9+10)
A morning in early January. Rain/Melancholy ‘white’ cloudy day. Trees swaying. The camera then shakes, and the girl appears in shot.


Ghost Girl


(Stands there, shoulders slumped forward, head slightly tilted downwards and legs a little inwards, standing straight. Normal to wide eyes.)


Camera shakes again, and the girl disappears.


EXT • FOREST • BRAY • DAY
A morning in early January. Rain/Melancholy white day. Trees swaying while a pathway is shown clearly due to the greenery around the pathway and grey mud footsteps that are shown on the pathway. Camera shakes.


Ghost Girl


(Stands there, shoulders slumped forward, head slightly tilted downwards and legs a little inwards, standing straight. Normal to wide eyes.)


Camera shakes again, and the girl disappears.


EXT • FOREST • BRAY • DAY
Side of the tree. In the background, trees sway from side to side. Camera shakes.


Ghost Girl


(Stands there, shoulders slumped forward, head slightly tilted downwards and legs a little inwards, standing straight. Normal to wide eyes.)


Camera shakes again, and the girl disappears.


EXT • FOREST • BRAY • DAY


A forest, gloomy day, there is an obvious pathway that is wavy. Trees are still swaying, but there is nothing. Camera shakes.


Ghost Girl


(Stands there, shoulders slumped forward, head slightly tilted downwards and legs a little inwards, standing straight. Normal to wide eyes.)


Camera shakes again, and the girl disappears.


EXT/INT • FOREST/SHELTER • BRAY • DAY




A shelter is found, where the trees sway. We get closer to the shelter.




Ghost Girl


(Stands there, shoulders slumped forward, head slightly tilted downwards and legs a little inwards, standing straight. Normal to wide eyes.)





EXT • SHELTER • BRAY • DAY
A focus on particular things. We see a middle board from top to bottom. We see a wall at the back with graffiti, and then vines. The camera shakes.
Ghost Girl


(Stands there, shoulders slumped forward, head slightly tilted downwards and legs a little inwards, standing straight. Normal to wide eyes.)


Camera shakes.

Sunday, 5 January 2014

Main Task :Treatment


TITLE-   Visitor


PRODUCTION COMPAY- WHATEVER PRODUCTIONS

GENRE-Thriller/ short film / film opening


DURATION- 2 minutes or less


TARGET AUDIENCE- 15-35,


OUTLINE- Our opening is set in an unnamed town. There are rapidly increasing numbers of people of all ages going missing throughout the town and only the supposed sighting of an eerie figure linking them all together. Officer David Smith decides that he'll be the one to get to the bottom of these disappearances, but will he like what he uncovers the real cause of the situation that's slowly taking over the town.


CHARACTER BREAKDOWN-
The haunting spirit associated with disappearances, she’s un-named, presumed to be within in the age group 15-20, she has long black hair, very pale skin and we never really see the full extent of her face.


We might also have a voice over which would be a sort of police radio style thing, however this would only be included if we feel that it would add context to the opening.


Played by Saffron (Understudy: Millie)


VISUAL ELEMENTS-
LIGHTING-
It’s predominantly darkly lit/ natural lighting that we’ll be using. However there are certain times when we will be using the LED light in the camera kit.


CAMERA MOVEMENT-
*OUTLINED IN SHOT LIST /STORYBOARD*


EDITING-
Credits are on their individual black screen which interrupts the footage
Transitions between footage which has an ‘Earthquake’ effect
Transitions between film and credit which has an ‘Earthquake’ effect
Dependent on the weather b/w
Colour grading


SETTING-
Woods- Bray
Abandoned bus shelter in Bray


ACTORS-
Saffron - Main actress
Millie – Back up actress


EQUIPMENT-
LED light
Camera Kit
The ball sock tri-pod
Ordinary Tri-pod
Steady Cam


WARDROBE-
White gown


Make-up-
Dark Eye Shadow

AUDIO ELEMENTS-
SOUNDTRACK-


We have a track off the Moby website which is called 'Stock Radio'. We registered to the website and applied for the music and within 24 hours we had gotten an email that stating the approval of the music

EFFECTS-
Screaming sounds
Wind
Sound track
General eerie sounds


RATIONALE-
We based our film around the location which sounds inconvenient but really helped to create a good image for our film as it gave us an accurate final mental image and inspired us. Rather than creating a story but it then didn’t correlate with the setting that we imagined.


We chose this particular genre as we felt that it was easier to create an idea for it and to also be able to execute it well with the settings provided e.g. Winter and i was then easier to create the conventions associated with the genre.